Is the world crazy or am I?

Tron, when it arrived on the scene in 1982 was a groundbreaking picture. Whilst it didn’t perform particularly well at the box office, it was the first step on the road to CGI in cinemas, which for better or for worse, is now highly common place in the world of cinema. Tron was indeed influential and now in 2010 the long awaited sequel has finally arrived. Directed by Joseph Kosinski And starring Garrett Hedlund and Jeff Bridges, Tron Legacy picks up on the story twenty years on and delivers a visually stunning and entertaining next gen style reimagining of what proceeded before. The plot is rather by the numbers and follows an establishment, action, development, action, finale set-up, action, finale kind of structure; in short there’s quite an emphasis on action. Despite being relatively standard action movie fare as far as a plot is concerned – especially considering the narrative will normally take a back seat in a film like this, usually to the detriment of the film as a whole

“The children are our future” so the saying goes. Kids and teens have been pretty hard done by over the years; be it from the fear spread by media such as Reefer Madness in the 1930s, any teenage rebellion movie in the 1950s, or more recently, Waterloo Road. Indeed, on-screen portrayals of adolescents are often just hate-inducing. It is troubling to find that such a grim world view of the big and small screen can have an influence on a persons perception of the tykes, to the point where you feel vindicated to trip-up the next pubescent chap or chappette that you see in the street. It’s not fair or nice and you can’t help but feel manipulated by a cackling writer somewhere, who is idly writing another gormless, unsympathetic teen character into a script somewhere. Here are a few current TV programmes that will turn you into a bitterly vengeful teen-hater: The Season: One of the BBC’s latest attempts at ‘getting down with the kids’, can be found on BBC Switch (a kind of CBBC for

Flashmobbing has become a fad of late and it is easy to see why; the spontaneous, silly actions are quite funny. Flashmobbing is nothing new either, considering the term was first used back in 2003, I even remember there was a Flashmob society at my university (I heard they once ran into Cardiff town centre for a spontaneous water balloon fight before scarpering). The fun and hilarity is being hijacked by the marketers now however, as T-Mobile continues to ramp up it’s televisual, ‘feelgood’ public transport sing-a-long ad campaign. The phone company has made a few adverts set around public areas already, normally involving a mass group of people singing or dancing, whilst the camera occasionally pans to shots of smiling onlookers clutching their phones and texting with glee. It’s easy to see how this is effective marketing in that sense. The latest offering however, has actually perturbed me a little more than the others. It is set in the Heathrow Terminal 5 international arriv

Social networking has seen some interesting fads over the years. Whether it be the recent #iamspartacus trend on Twitter or people sending round those dodgy emails proclaiming a virus is going to eat your computer unless you spread the word to your friends, people love following a cause online. I have found myself a bit confused by the recent trend on Facebook of changing a profile picture to that of a favourite childhood cartoon character, all in the name of some vague raising of awareness. The message being spread at the moment on the site claims: ‎"Change your Facebook profile picture to a cartoon character from your childhood and invite your friends to do the same, for the NSPCC. Until Monday (December 6th), there should be no human faces on Facebook, but an invasion of memories. This is a campaign to stop violence against children." Ok fair enough, a good cause indeed and a form of affirmative action is following, fine. But how does this help children exactly?